Revelation 21 is a passage with familiar language. No more tears. No more death. No more pain. Comforting words for the grieving and tested. But the text also has some rich and underexplored imagery. John is trying to give us a glimpse of paradise to come — and it isn’t fluffy clouds, angels and harps. It’s a bustling city. A New Jerusalem. But heaven can wait, or so we’re told.
But if you think about it, there’s a cultural connection to this text that’s also focused on the emerging city. The 2010 World Expo is being held in Shanghai, and the event theme is "Better City, Better Life."
Looks like the Expo organizers just came up with a pretty good sermon idea.
According to their Web site, "In 1800, only two percent of the global population lived in cities, but by 1950, the figure had risen to 29 percent, and by 2000, almost half the world population had moved into cities. Despite all its glories, there is no denying that the city today, because of high-density living patterns, faces a series of challenges, such as spatial conflicts, cultural collisions, resource shortages and environment degeneration."
Therefore they’ve penned an expo-gesis that could be just as comfortable describing this week’s text: you could say that "‘Better City, Better Life’ represents the common wish of all of humankind for better living in future urban environments." Implicit is Shanghai’s own commitment to green urban development and its status as a major economic and cultural center.
The World Expo was previously called the World’s Fair, the first of which was held in London’s Hyde Park in 1851. This year’s Shanghai Expo started yesterday and runs through the end of October. The Expo’s lofty goals are to attract 200 participating countries and 70 million visitors.
Host nations often create elaborate buildings as flagships to their expansive fairgrounds. Most notable and iconic of these former World Fairs include the Eiffel Tower and Seattle’s Space Needle. In turn, participating countries construct Disney-esque pavilions to host, feed and educate the thousands of daily visitors. The whole thing is like international show and tell on steroids.
The purpose of World Expos has changed throughout history. The first 100 years of Expos covered an era of industrialization and, therefore, featured developing technology and inventions. Then Expos mirrored the mid-1900s’ shift toward the post-modern era and featured cultural ideas rather than goods. During that time, the expos took on a more future-oriented and Utopian air.
In today’s information age, Expos are all about national branding. Countries put their best foot forward to send idealistic messages about who they are and where they’re headed.
"Better City, Better Life" certainly captures that vision. And the United States pavilion is a great example of both that concept and America’s branding for the future. The pavilion is built around four themes: sustainability, teamwork, health and the Chinese community in America. Schematics for the pavilion look like an Asian-influenced, rain forest-meets-city skyline-meets-rock concert.
The Shanghai Expo and the Revelation of John both envision the city similarly: no pain, no tears, full of beauty, no enmity between peoples. But Revelation chapters 21–22:5 which is notable for its imagery of God and of the Lamb expands the image of the new heaven and earth centered on the new city:
• It’s holy (v. 2).
• It’s as intentional and lavish as a wedding-day bride (v. 2).
• God sits within it (v. 3).
• It radiates with the glory of God as the temple used to (v. 11).
• Twelve gates (v. 12) are named for the 12 tribes but entered by God’s new people (v. 7).
• It’s built from precious metals and gems — valuables purified out of the earth.
• It’s filled with cultural imports, the glory and honor of the nations (v. 26).
• It’s always daylight, never night — and restfully so (21:4, 23).
• It’s set in the middle of a garden with a tree (22:2).
Anybody want to bid on the contract to build this Expo pavilion?
Although this city is glorious, isn’t it still a weird image for heaven? It seems like such a counterintuitive choice. Cities are full of busyness, noise, chaos and crime. Most of them are dirty. Isn’t the city the place where we assume humanity is at its worst? We might not remember to lock our doors in the suburbs, but we sure do in the city.
So why would God choose a city as the picture of sinless paradise? And what are the implications for the church today?
The more obvious vision God could have sent John would have been of a garden. It all started in a garden, and it will eventually end in a garden redeemed. That’s a much more poetic ending and a much more heavenly locale, right?
Well, maybe not. In the book titled Culture Making, author Andy Crouch suggests a natural progression from the garden to the city. It’s based on the "cultural mandate" that God gives Adam and Eve: Create and cultivate. In the words of Genesis 1:28, be fruitful, multiply, fill the earth, subdue it, have dominion. Just as God brought order out of nothingness, humanity is to bring order out of created-ness.
A quick survey of Genesis texts can theologically connect Eden to the Revelation City this way — a sort of six theological degrees of separation:
Genesis 1–2: God creates a world yet to be sin-tainted. A paradise. A peaceful, heavenly garden. Adam and Eve are connected intimately with each other, with God and with their life purpose. They are given a mandate to expand culture — to create and cultivate.
Genesis 3: Adam and Eve give independence from God a try. The results are disastrous and world-altering. They’re disconnected from God. Their creation and cultivation are cursed and will now be frustrated. They’re removed from paradise and banished from the garden.
Genesis 11: Misguided city-building. People are living out their cultural mandate but in human triumph and not divine worship; "us," "we" and "ourselves" dominate the text. Genesis starts in a